録音・複製テクノロジーと音楽聴取体験の多層化 : オーディオ趣味とDJ文化を中心に

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URI http://www.naruto-u.ac.jp/repository/metadata/193
File
Language
jpn
Set
鳴門教育大学
Journal Title
鳴門教育大学研究紀要
Journal Title Alternative
Research bulletin of Arts, Naruto University of Education
Journal SubTitle
芸術編
Publisher
鳴門教育大学
ISSN
1343-4403
NCID
AN10065994
Volume
19
SPage
25
EPage
35
sort
3
Published Date
2004-03-05
Title

録音・複製テクノロジーと音楽聴取体験の多層化 : オーディオ趣味とDJ文化を中心に

Title_Transcription

ロクオン フクセイ テクノロジー ト オンガク チョウシュ タイケン ノ タソウカ : オーディオ シュミ ト DJ ブンカ オ チュウシン ニ

Title Alternative

The Multi-layered Structure of Musical Listening with Recording and Reproducing Technology : On Hi-fi Mania and DJ Cultures.

Authors
著者 増田 聡
チョシャ マスダ サトシ
Author MASUDA Satoshi
所属 鳴門教育大学芸術系(音楽)教育講座
Affiliate
著者 谷口 文和
チョシャ タニグチ フミカズ
Author TANIGUCHI Fumikazu
所属 東京芸術大学音楽研究科
Affiliate
Description

Today, recording and reproducing technology is so essential that we cannot ignore its influences on our musical experience. However, it seems that many of us are still obssessed with the idea that recorded music is only subsidery to "live" music. The purpose of this paper is to rethink musical listening with reproduction. Hi-fi maniacs have two ambivalent principles: that reproduced sound should be identical to its "source" , and that they can make sound with their equipments as they feel favorable. Though, the privileged "source" never sounds without reproduction, so they can evaluate the fidelity of sounds only by imagination. On the other hand, when they assume that audio equipments "create" sounds, they cannot feel sure if they really listen to music. Sound systems for club music is designed with the principle same as the latter type of hi-fi manias. But the audience feels the "aura" from reproduced music, because DJs who mediate between records and them make the field where they listen to music authentic. While hi-fi maniacs who pursue imaginative "source" has been reproducing "loss of aura" , DJ cultures restore the aura. Thus, both musical practices of hi-fi maniacs and DJs use the same technology, but bring different musical experiences. And here we can elucidate the multi-layered structure of musical listening, where we differently imagine "what makes music".

Subject
複製技術
ハイファイ
レコード音楽
原音再生
アウラ
Remark
国立情報学研究所『研究紀要公開支援事業』により電子化。
Version
publisher
Description
With File
資料タイプ
Departmental Bulletin Paper
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